Posted by vp19 on 2013.05.31 at 00:55
Current mood: hopeful
We’re well aware of how Carole Lombard so magnificently conveyed glamour. Now, here’s your chance to prove it to the world.
A Yahoo group, “Glamour Girl Survey” (http://groups.yahoo.com/group/glamourgirlsurvey/), is conducting its 24th all-time glamour girl tournament; there are 25 contestants in this event, and Lombard happens to be one of them. We’ll tell you her rivals shortly, but first, here’s how the tourney works:
It’s done through two polls. In the first, you choose which one of the 25 “you most prefer for beauty of face
and figure, glamour, and sex appeal.” Your choice gets three points. In the second poll, you can vote for as many of the 25 as you wish; each gets one point. The top nine of the 25 advance to the next round.
Many of the contestants are from the pre-1960 era. It’s a fairly eclectic list, ranging from actresses to singers, Playboy Playmates, even a First Lady. In addition to Lombard, the group includes:
* Elizabeth Taylor
* Irish McCalla
* Linda Darnell
* Joy Harmon
* Esther Williams
* Virna Lisi
* Gypsy Rose Lee
* Elaine Reynolds (Playboy’s October 1959 Playmate)
* Suzy Parker (1950s supermodel/actress)
* Jean Jani (Playboy’s July 1957 Playmate)
* Zsa Zsa Gabor
* Laura Young (Playboy’s October 1962 Playmate)
* Deanna Lund (TV’s “Land of the Giants”)
* Nichelle Nichols
* Dagmar (buxom early ’50s TV blonde)
* Acquanetta (exotic 1940s Hollywood beauty)
* Jacqueline Kennedy
* Gloria DeHaven (glamorous 1950s Hollywood blonde)
* Constance Bennett (sophisticated 1920s and ’30s actress)
* Monique Devereux (bosomy early ’60s British model)
* Noel Neill (early Lois Lane)
* Freda Payne (sultry 1970s singer)
* Cathy Rowland (Playboy’s August 1971 Playmate)
* Lori Williams (“Faster Pussycat” blonde)
Curious about what some of them look like? Go to http://groups.yahoo.com/group/glamourgirlsurvey/photos/album/1598148773/pic/list, but please note it’s not safe for work.
In order to vote, you’ll have to become a member of “Glamour Girl Survey 3” (http://groups.yahoo.com/group/glamourgirlsurvey3/). The polls close June 7 (next Friday).
As of this writing, Carole has four votes in the first poll, placing her third (Elizabeth Taylor has 10 votes, Elaine Reynolds seven). In the second poll, where you can vote for more than one candidate, Lombard is tied for eighth with Esther Williams (each has 16 votes). Taylor leads this category too with 34 votes, followed by Irish McCalla of “Sheena” fame with 26, Reynolds with 23, Joy Harmon and Virna Lisi with 20, Linda Darnell with 19 and Suzy Parker with 17.
Let’s see if we can at least get Carole into the top nine. She’s up to the challenge; are you?
Posted by vp19 on 2013.05.30 at 18:45
Current mood: envious
An autographed photo of Carole Lombard is always something collectors desire, and that’s certainly true in this instance. It’s glossy, sepia toned, on double weight stock and is oversized (10 3/4″ X 13 3/4″). And if you have any doubt the Lombard signature is the real deal, take a closer look:
Carole inscribed it to a “Peggy,” although for some unknown reason she put quotation marks around her own name. The back reveals it to be a portrait by Paramount’s Otto Dyar, and also provides additional information:
Lombard’s only two productions with William Powell at Paramount were “Man Of The World” and “Ladies’ Man,” neither of which includes a Peggy in the cast. So it’s possible this woman was a studio employee, uncredited extra or someone who dropped by the set one day.
The photo is pretty stunning…and by now, pretty expensive, too. As of this writing, 18 bids have been made for this, topping out at a whopping $1,525. By the time bidding ends at 9:39 p.m. (Eastern) Sunday, this may surpass the $2,000 mark — perhaps a bit too rich for mortals such as us. However, if you win at Mega Millions Friday or Powerball Saturday, or a fabulously wealthy aunt or uncle bequeaths you a five-figure (or larger) sum, go for it. Place a bid, or learn more, at http://www.ebay.com/itm/RARE-CAROLE-LOMBARD-30s-SIGNED-OVERSIZE-DYAR-DOUBLEWEIGHT-PHOTO-MESMERIZING-/390602260901?pt=LH_DefaultDomain_0&hash=item5af1b581a5.
Posted by vp19 on 2013.05.29 at 17:35
Current mood: determined
Nearly two years ago, we ran a two-page “glamor school” spread said to be “edited” by none other than Carole Lombard (http://carole-and-co.livejournal.com/429455.html). Now the magazine that article appeared in — the August 1934 issue of Screenland –– is being auctioned at eBay.
That’s not the only place in that issue you’ll find Carole; she’s one of the film beauties discussed as a modern-day rival to the legendary Venus de Milo:
Inside, ex-husband William Powell and Lombard’s good friend Kay Francis engage in a mutual admiration society, at a time just before Myrna Loy was to succeed Kay as Powell’s best-known on-screen partner:
And the cover features the lovely Mexican star Dolores Del Rio, with artwork by the famed Charles Sheldon:
The magazine is listed in “acceptable” condition; there are some blemishes, wear and minor cut-outs. One bid, for $8.99, has been made as of this writing, with bids closing at 8:57 p.m. (Eastern) Friday. Learn more by visiting http://www.ebay.com/itm/Dolores-Del-Rio-cov-1934-SCREENLAND-Carole-Lombard-Burns-Allen-Claire-Trevor-/310678433955?pt=Magazines&hash=item4855e0b0a3.
Posted by vp19 on 2013.05.28 at 17:13
Current mood: pleased
Thanks to Tally Haugen, we have a fascinating set of four pictures of Carole Lombard at work — not acting, but getting ready to act, or just go out into the world. Because while she’s a lovely lady in the image above, her face looks a trifle incomplete, even though she’s put on her powder base. So it’s on to the next step…mascara:
From there, some eyebrow pencil:
Finally, the finished product, Carole Lombard, queen of allure. Who needs to have the Westmores on call when you can do it yourself?
According to Tally, this series of images ran in Life magazine — and while I’m not doubting her, none of these cropped up in a check of the magazine’s online photo archive. But no matter where (or when) it first ran, it’s delightful to see, something every woman today can empathize with some three-quarters of a century or so after these were taken.
Posted by vp19 on 2013.05.27 at 22:22
Current mood: nostalgic
Carole Lombard’s past as a Mack Sennett girl was known to just about every movie fan; years later, that slapstick experience would pay off when Lombard became a legend of screwball comedy. Not that Carole ever made any attempt to hide it — being a Sennett bathing beauty was a mark of distinction, even during Lombard’s time there in the late 1920s when the silent comedy master was on the decline. For beauty and sex appeal, Sennett alumnae were deemed the movie equivalent of Broadway’s fabled Follies girls.
This was the angle Motion Picture sought in its May 1932 issue when it queried the whereabouts of Sennett swim girls of the past. But before you came across that story, you saw this image of Carole:
OK, so we’re supposed to compare and contrast that to what we see on page 30. It actually ran on page 31, and it’s a portrait of Sennett-era Carole I’ve never seen before:
Now that Lombard has elicited that reaction, let’s look at the story:
Some, like Lombard and Gloria Swanson, became stars. Others didn’t, but earned comfortable lives by marrying successful men both in and out of the film industry. Still others had far less fortunate fates. One who was mentioned, Marie Prevost, had been a considerable star in the ’20s, but her career was already on the wane in 1932. She would land a supporting role in Carole’s 1935 comedy “Hands Across The Table”…
…but would be dead less than five years after this piece was written.
Posted by vp19 on 2013.05.26 at 18:39
Current mood: productive
Blessed with an attractive face and a lithe figure, Carole Lombard was frequently rated among the best dressed of film stars. But there was a notable difference between the Lombard of the mid-1930s (above) and her later self (below), and it wasn’t merely changing from Paramount, with Travis Banton as a designer, to RKO, where her gowns were designed by Irene.
Lombard herself had changed, become more aware of her fashion style as she grew older. She discussed this in a notable article in the February 1941Photoplay, “The Girl who learned how to dress”:
Lombard certainly isn’t denying her earlier fashion sense so much as acknowledging she had fine-tuned it; after all, what worked for her in early 1935, when she was 26, might not come off as a 32-year-old in early 1941. As she said in the story, “Every woman goes through a sort of evolution in learning about style. … You have to be casual and easy in your clothes to make them look well.” And the story notes her shift from “exaggerated splendor” to simplicity.
And the proof of what she said is that some 72 years after this was written, despite changes in styles, most of Lombard’s common-sense fashion tips hold up well today.
Posted by vp19 on 2013.05.25 at 09:14
Current mood: enthralled
…just remember to be on your best behavior! (Recall what happened to Fredric March when he wasn’t — read all the ribald details at http://carole-and-co.livejournal.com/30900.html.)
This is Paramount p1202-1163, among a group of photos showing Lombard’s luxurious studio dressing room. Others include p1202-1162…
The p1202-1163 image now is available through eBay; you can buy it straight up for $85 or make a bid, beginning at $49.95. In that case, bidding closes at 9:14 p.m. (Eastern) on Friday. To bid or buy, visit http://www.ebay.com/itm/CAROLE-LOMBARD-stunning-original-PARAMOUNT-still-1930s-or-1940s-E261-/310675937093?pt=LH_DefaultDomain_0&hash=item4855ba9745.
Oh, and to the seller: The still is definitely from the 1930s, since Lombard left Paramount after 1937 and bequeathed the dressing room to her friend Dorothy Lamour. I have no idea what the dressing room is being used for now (there is a building named for Lombard at Paramount, but it’s on the side of the lot that belonged to RKO in the 1930s), or even whether it’s still a dressing room. While no film studio has actors under permanent contract today, it’s possible such rooms are used by stars of long-running television series made at that lot.