Posted by vp19 on 2013.09.30 at 06:15
Current mood: pensive
She’s a small-town librarian; he’s a confidence man from the big city who wants to know her better. We know this scene as being from “No Man Of Her Own,” the only film Carole Lombard would make with future second husband Clark Gable. But if you saw this movie in Spain, or some other Spanish-speaking country, you would know it as…
…”Casada Por Azar,” which translated into English reads “Married By Chance” (a more descriptive title for the film, in my opinion, but since this was derived from a book written by Val Lewton titled “No Bed Of Her Own,” probably not considered). Above is the cover for a Spanish-language photoplay of the movie; it’s 72 pages, including eight pages of pictures such as these:
The magazine measures 6.1″ x 8.5″; the seller (from Barcelona) describes it as being in “very good” condition — “The cover shows creases, some restored missing paper, something handwritten and some stains. The inner pages are yellowed, with some minor brown stains, and some of them are tape restored along edges. Slight wear along edges of the cover and the back, with some minor missing paper, tape restored inside. Some minor rests of dirt.”
It’s an interesting artifact from the film, and one would think some Gable or Lombard fan would want it for their collection. The item is selling for $32. If you’re interested, visit http://www.ebay.com/itm/PO86-NO-MAN-OF-HER-OWN-CLARK-GABLE-CAROLE-LOMBARD-ORIG-VINTAGE-SPANISH-PHOTOPLAY-/151133892637?pt=LH_DefaultDomain_0&hash=item233048301d to buy or find out more.
Posted by vp19 on 2013.09.29 at 02:02
Current mood: curious
Carole Lombard and Clark Gable would spend less than three years as a married couple, but among the things they enjoyed doing was living the outdoor life. Now an artifact from that facet of their relationship is up for sale.
We’re referring to this portable Coleman stove owned by Gable, including a canvas bag with his initials:
There’s some history behind this stove, as the seller explains:
“This vintage Coleman camping stove belonged to legendary actor Clark Gable. It comes with a custom made case monogrammed ‘CG,’ letter of authenticity and photo of Gable and Lombard sitting on their truck. All of Gable’s hunting, camping and fishing equipment were in these monogrammed canvas cases.
“This lot of camping equipment was purchased at the 1994 Christie’s auction that was held by son John Clark Gable. Includes Letter of Authenticity. I purchased this from Sid Cahuenga’s at Disney Studios, then MGM studios (it still has the original tag on it). At that time they had many other items from this lot including a mess kit and tent stakes. Back in those days Sid’s carried mostly real film and actor memorabilia. They had a buyer which went to auctions and estate sales and resold at Sid’s.
“I was probably more of a Carole Lombard fan but was a fan of Gable because of what I had read in David Niven’s book, ‘Bring on the Empty Horses.’ Probably one of the best candid looks at old Hollywood. Anyway, since Gable and Lombard married during a break in the filming of ‘Gone with the Wind’ they never had a decent honeymoon.
“They took a 3-week vacation in February 1940 to Hattie Hamilton’s ranch in Baja Mexico in their truck with all of their hunting and fishing gear. On the way back from the ranch to an Ensenada Gun Club 115 miles away they went missing for 12 hours. The road washed out and they spent the night in a village. They bought lobster from the villagers and cooked them on this stove.
“No I can’t prove that but I read about this in a reliable biography. That is why I bought it. Gable’s golf clubs recently sold for $16,000. Most of his other stuff goes for over $1,000. I’m listing this for quick sale to someone who wants a cool piece of Gable/Lombard history.”
Imagine owning a stove on which Lombard cooked lobster.
Here not only is that letter of authenticity, but the photo of Clark and Carole, eager for adventure:
(Oh, and the seller also notes, “This thing is over 70 years old and has wear expected with same.” But I honestly don’t expect anyone who buys this stove will use it for actual camping.)
The “quick sale” price is $729, although you also can make an offer before the sale’s scheduled end at 5:59 p.m. (Eastern) Thursday. Interested in owning this? Then go to http://www.ebay.com/itm/Clark-Gable-Carole-Lombard-camping-stove-Make-an-Offer-/131004366448?pt=LH_DefaultDomain_0&hash=item1e8077fe70.
Posted by vp19 on 2013.09.28 at 08:07
Current mood: thankful
On Thursday, we ran an entry about the availability of one of the rarest promotional items from a Carole Lombard movie — the 12-page “Diary Of A Debutante” booklet created by Universal and distributed to theaters to promote “My Man Godfrey” (http://carole-and-co.livejournal.com/635990.html):
At the time, we ran its front and back covers, plus two of the 1nside pages. Today, thanks to the seller, we are able to run the booklet in full, so that classic film fans everywhere can view this amazing artifact from arguably the greatest of screwball comedies. Ladies and gentlemen, the inner thoughts of dizzy deb Irene Bullock (if you dare to wander there):
And finally, the back page of this exploitation extravaganza:
A fascinating look at the movie’s storyline from Irene’s point of view (and the “scrapbook” photos are a nice touch), but one wonders: Did this promotional piece have to pass muster with Joe Breen? There’s certainly a sensuality to her thoughts on Godfrey, almost to the point of, well, doing something no debutante in 1936 would dare admit, as her patronizing, possessive view of him evolves from pet to potential lover. As Boxoffice described it, this is indeed “a peppy little booklet.”
I thank the seller for making this 77-year-old item, unseen by all but a few for decades, available to the public — with a reminder that if you wish to make this “diary” your own, you can…but you’ll have to pay up (the opening bid is a whopping $3,500, and bidding is set to end Wednesday). All the info is athttp://www.ebay.com/itm/MY-MAN-GODFREY-CAROLE-LOMBARD-1936-DIARY-OF-A-DEBUTANTE/231062427629?_trksid=p2045573.m2042&_trkparms=aid%3D111000%26algo%3DREC.CURRENT%26ao%3D1%26asc%3D27%26meid%3D1569509211686428852%26pid%3D100033%26prg%3D1011%26rk%3D1%26rkt%3D4%26sd%3D231062427629%26.
Posted by vp19 on 2013.09.27 at 09:16
Current mood: amused
We’ve previously noted how Picture Play, among fan magazines of the era, singularly referred to Carole Lombard as “Carol” well into the 1930s. In the February 1936 issue, Norbert Lusk, writing in his “Soft And Sharp Focus” column, explained why:
Note Lusk claims Mack Sennett introduced her to audiences as “Carol” and not “Carole” (ignoring her brief career at Fox, in which her name had an “e”), ignoring this reference to her from “The Campus Vamp”:
(Sennett briefly referred to Lombard as “Carolle” early in her tenure, but in his films the “e” remained. It was only in her films issued by Pathe, which had a working agreement with Sennett, where the “e” was dropped.) Had never heard that “rubber-stamp” story, either.
Interesting that a few months later, Lusk, writing about “The Princess Comes Across” in one of the Los Angeles papers, did use the “e” (http://carole-and-co.livejournal.com/409534.html):
Lusk vowed Lombard’s first name would never be spelled with an “e” in Picture Play. So much for vows; it was added within the year (http://carole-and-co.livejournal.com/594915.html).
In that February 1936 issue, Lusk had some nice things to say about Lombard’s previous Paramount film, “Hands Across The Table”…
…although elsewhere, one of the letter-writers takes aim at her high rankings in the November 1935 article judging beauty (http://carole-and-co.livejournal.com/620595.html), lauding Dolores Del Rio as the standard for Hollywood loveliness:
There’s also Picture Play’s view into the future of films — it’s always fun to examine these things and see how accurate they were in retrospect. This foresees what moviegoing would be like in not-so-far-off 1940 (did the editors think such massive changes actually could take place within four years?); some of the predictions were accurate, others weren’t:
Posted by vp19 on 2013.09.26 at 19:55
Current mood: enthralled
“My Man Godfrey” is one of Carole Lombard’s most beloved films…and it also features one of her movies’ rarest promotional items. That artifact is now available — but let me warn you at the outset that even though it measures a mere 3″ x 4″, it won’t come cheaply.
It’s called “Diary Of A Debutante,” and it’s supposedly written by Carole’s character, Irene Bullock:
It’s 10 pages, in “handwriting,” and contains Irene’s thoughts on the story (and her butler!), such as this:
This particular copy is from the Genesee Theater in Waukegan, Ill. (yep, Jack Benny’s hometown), where “Godfrey” was slated to play Nov. 1 to 4:
The Genesee opened on Christmas Day 1927, showed movies until 1989, and has been restored as a performing arts center that occasionally shows films (legend has it that Benny had his own office in the building, where he could stay the night instead of registering at a hotel, but that may be in keeping with Jack’s miserly comic persona). Here’s how it looked in days of yore…and now:
Benny would be proud.
I should note the seller even quoted me in describing the item (http://carole-and-co.livejournal.com/176193.html):
It was called “Diary Of A Debutante,” and was 3 by 4 inches, with a pink cover; its “handwritten” 10 pages includes several stills from the film. I have no idea how many of these Universal issued — but I’m guessing they’re extremely rare, and among the most unusual items associated with promotion of a Lombard film.
The seller also borrowed a brief from Boxoffice magazine I had used in that entry:
So the good news — we finally know what this item looks like. The not-so-good news –– you may have to be a debutante to add this to your collection. (Dear Paris Hilton: Are you a Lombard fan?) The minimum bid on this is a whopping $3,500; you can attribute the gigantic price on both its rarity and its condition. (According to the seller, who’s possessed this for some 30 years, it’s in mint condition for its age.)
Bidding on this is scheduled to end at 11:10 a.m. (Eastern) Wednesday; should you come into an inheritance, marry into money or win big at a casino or lottery in the meantime, you can place a bid at http://www.ebay.com/itm/MY-MAN-GODFREY-CAROLE-LOMBARD-1936-DIARY-OF-A-DEBUTANTE/231062427629?_trksid=p2045573.m2042&_trkparms=aid%3D111000%26algo%3DREC.CURRENT%26ao%3D1%26asc%3D27%26meid%3D1569509211686428852%26pid%3D100033%26prg%3D1011%26rk%3D1%26rkt%3D4%26sd%3D231062427629%26.
Posted by vp19 on 2013.09.25 at 01:23
Current mood: melancholy
January 15, 1942 — what would be the final full day of Carole Lombard’s life — filled her with pride, as the Indiana native returned to her home state to hold the nation’s first war bond rally. But she wasn’t the only Hollywood Hoosier there that day.
See that man to the right of her? That’s Will H. Hays, the former postmaster general in the Harding administration who had headed west two decades before to become the first “czar” of the motion picture industry, at a time when a myriad of scandals were giving movies an uncertain future. While Hays had some power, his prime purpose in Hollywood was to assure midwesterners and other conservative folk that filmdom wasn’t Sodom-by-the=sea. And that he did.
Before his death in 1954, Hays finished writing his memoirs, and Doubleday issued them the following year.
The book, long out of print, has been retrieved from obscurity by the Media History Digital Library and posted online…and it turns out Hays wrote several pages about that fateful event in Indianapolis. So, unseen by most for nearly six decades, here’s what Hays recalls:
Most of Hays’ descriptions are accurate and vivid…but one part doesn’t ring true. I have never heard about Lombard needing retakes on “To Be Or Not To Be,” as the Ernst Lubitsch film was in post-production that week and was slated to hold its first preview that weekend. And part of me is skeptical that Elizabeth Peters, who had never flown and had come east by train, would have told Hays they were flying back.
Aside from that, Hays paints a nice portrait of the emotions of that day, less than a month and a half after the attack on Pearl Harbor had jolted a nation into war…and Lombard, eager to serve her country, contributed to the cause, but sadly would not live to see victory.
Posted by vp19 on 2013.09.24 at 08:57
Current mood: nostalgic
Here’s Carole Lombard as she appeared on the cover of the May 1932 Silver Screen –– probably the first time she gained the honor since the magazine debuted in November 1930. Silver Screen was founded by Ruth Waterbury, a former Photoplay editor under James Quirk, and its 10-cent price (compared to 25 cents forPhotoplay), not only made it a huge success on newsstands, but led Photoplay to establish a budget subsidiary, Shadoplay, in 1933.
But Carole earlier had appeared on the inside of Silver Screen, including this stylish pose from the February 1931 issue, its fourth:
That issue now is available via eBay. On its cover is a stunning portrait of red-haired beauty Nancy Carroll (note the “Edited by Ruth Waterbury” in the upper right-hand corner):
Aside from Lombard, what’s inside? For one thing, there’s “Hollywood’s Rules For Love,” dished out by Joan Crawford and Gary Cooper, both of whom knew how the game was played:
For another, there’s one of the earliest fan magazine articles on Kay Francis, preceded by a full-page George Hurrell portrait of the lanky lovely:
There’s also a still of Ronald Colman and Myrna Loy (in blonde wig!), from “The Devil To Pay”…
…leggy Anita Page beating the drums for her toy soldier army, a rare example of Hurrell cheesecake…
…a handsome portrait of Ramon Novarro…
…a story on female director Dorothy Arzner…
…and finally, Loretta Young (in fan magazines of this era, there was no escaping her!) in an ad for Kellogg’s All-Bran:
The seller says this standard-sized magazine is in “very good” condition, adding it “lies flat, looks quite clean, the staples are tight, and the spine is solid. …The pages are off-white and supple with some page/age tanning around the edges,” something you’d expect from an issue that’s 82 years old.
You can buy this magazine straight up for $45 or make a bid beginning at $30; in the latter case, the auction ends at 8:05 p.m. (Eastern) Saturday. Learn more information, or bid or buy, by visiting http://www.ebay.com/itm/NANCY-CARROLL-cover-for-early-Silver-Screen-movies-Joan-Crawford-Carole-Lombard/261284197412?_trksid=p2045573.m2042&_trkparms=aid%3D111000%26algo%3DREC.CURRENT%26ao%3D1%26asc%3D27%26meid%3D1511739842320724359%26pid%3D100033%26prg%3D1011%26rk%3D1%26rkt%3D4%26sd%3D261284197412%26.
As for Waterbury, she left Silver Screen a few years later to work at Movie Mirror, but before the ’30s were through she had returned to Photoplay as its editor. She later wrote books on Elizabeth Taylor and Richard Burton before her death in 1982 at age 85.